is a seminal scholarly study by Meredith Little and Natalie Jenne that explores the deep connection between Baroque dance and the music of Johann Sebastian Bach . Originally published in 1991 and later released in an expanded edition, the book serves as a vital resource for performers and scholars seeking to understand the rhythmic structures, social contexts, and interpretative nuances of Bach’s dance-based repertoire. Core Themes and Structure
: The authors provide a detailed analysis of individual dance types used by Bach, including the Allemande, Courante, Sarabande, Gigue, Minuet, Gavotte, and Passepied . For each form, they develop a "model" based on period choreographies, theoretical writings, and comparative studies of other 17th- and 18th-century composers. Key Musical Insights Dance and the Music of J. S. Bach: Expanded Edition Dance and the Music of J. S. Bach
The book is divided into two primary parts that bridge the gap between historical dance practice and musical performance: is a seminal scholarly study by Meredith Little