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This paper argues that the film succeeds not by reinventing the mystery genre, but by leaning into its most tired tropes (the wealthy victim, the isolated mansion, the quirky suspects) to create a "meta-comedy" that critiques the audience's own expectations of the genre. Key Points:

The shift from traditional cinema to "streaming-era" comedies. Option 2: Digital Media & Piracy Studies

The economic shift from box-office performance to subscription retention.

Comparison of the "Spitzes" (Sandler and Aniston) to classic detectives like Hercule Poirot.